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A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective ...
An acoustic horn or waveguide is a tapered sound guide designed to provide an acoustic impedance match between a sound source and free air. This has the effect of maximizing the efficiency with which sound waves from the particular source are transferred to the air. Conversely, a horn can be used at the receiving end to optimize the transfer of ...
Slide whistle Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe. A slide whistle (variously known as a swanee or swannee whistle, lotus flute, [1] piston flute, or jazz flute) is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it.
There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. [1] All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite ...
Fingering chart for a bansuri. As with other air-reed wind instruments, the sound of a bansuri is generated from resonance of the air column inside it. The length of this column is varied by closing or leaving open, a varying number of holes. Half-holing is employed to play flat or minor notes.
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...
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fingering chart. 16th-century illustrations show an instrument which had only a few tone holes, and a very limited range. The intact clay gemshorn, mentioned above, which was found beneath a 15th-century house, had a chromatic range of one octave. Modern makers have often chosen to build them using the Baroque recorder fingering.