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The FSK rating also limits the time of the day in which the movie may be aired on free-to-air TV stations to a time frame between 22:00 (FSK 16) or 23:00 (FSK 18) and 6:00. Stations are permitted to broadcast films not approved for audiences under 12 at their own discretion.
The International Lubricant Standardization and Approval Committee (ILSAC) also has standards for motor oil. Introduced in 2004, GF-4 [27] applies to SAE 0W-20, 5W-20, 0W-30, 5W-30, and 10W-30 viscosity grade oils. In general, ILSAC works with API in creating the newest gasoline oil specification, with ILSAC adding an extra requirement of fuel ...
[29] Steven Spielberg, director of Temple of Doom and executive producer of Gremlins, suggested a new intermediate rating between "PG" and "R". [30] The "PG-13" rating was introduced on July 1, 1984, with the advisory "Parents Are Strongly Cautioned to Give Special Guidance for Attendance of Children Under 13 – Some Material May Be ...
2. 'Love and Basketball' Meet Monica (Sanaa Lathan) and Quincy (Omar Epps), two childhood friends who share the same competitive dream: to become a professional basketball player.
The film gained notoriety from its gross ticket sales of only $30 on its opening run, due to its intentionally limited release at a single cinema; [1] it is the lowest-grossing film in U.S. history in terms of box office sales. [3] It also was the film that grossed the lowest opening box office sales, until The Worst Movie Ever!
A basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots may look like a jump cut , which could jar the audience and take them out of the story by causing them to focus on the ...
[20] Lust, Caution: 2007 Rated NC-17 "for some explicit sexuality"; edited version rated R for strong sexual content and a scene of brutal violence. [8] Despite keeping the NC-17 rating, the film grossed $4.6 million in the United States theatrically, [59] and Focus was very satisfied with the film's theatrical release. [60]
Cuts that do not adhere to the 30-degree rule, known as jump cuts, are disruptive to the illusion of temporal continuity between shots. The 180-degree and 30-degree rules are elementary guidelines in filmmaking that preceded the official start of the classical era by over a decade, as seen in the pioneering 1902 French film A Trip to the Moon.
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