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Jaurès is the idol and moral compass of the lead character, the union leader Michel, in the French film, The Snows of Kilimanjaro (2011). Michel quotes Jaurès throughout the film to justify and reflect on his actions. His political journey towards democratic socialism is depicted in the 2004 made-for-TV movie "Jaurès, Birth of a Giant" , .
Westinghouse Works, 1904, a collection of 21 short films directed by Billy Bitzer – The Widow and the Only Man, directed by Wallace McCutcheon Sr. – The Wonderful Living Fan (Le Merveilleux Éventail vivant), directed by Georges Méliès –
The French Union (French: Union française) was a political entity created by the French Fourth Republic to replace the old French colonial empire system, colloquially known as the "French Empire" (Empire français). It was de jure the end of the "indigenous" status of French subjects in colonial areas. It was dissolved in 1958, after the ...
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1904: The Impossible Voyage: Georges Méliès: Fantasy: Pioneer in special effects 1905: Vie et Passion du Christ: Lucien Nonguet Ferdinand Zecca: Hand painted color 1906: Aladin ou la lampe merveilleuse: Albert Capellani: Fantasy / Adventure: 1907: 20,000 Lieues Sous les Mers: Georges Méliès: L'Enfant prodigue: Michel Carré: First European ...
Šubrtová, Marcela. "The Anglo-French Rapprochement and the Question of Morocco." West Bohemian Historical Review 2 (2016): 213–241 online; Taylor, A.J.P. The Struggle for Mastery in Europe, 1848–1918 (1954) online free; Williamson, Samuel R. The politics of grand strategy: Britain and France prepare for war, 1904–1914 (1990).
French Chouans! Philippe de Broca: Adventure, History, War. Based on a novel Les Chouans. Chouannerie: 1989 French Italy West Germany Canada United Kingdom The French Revolution: La Révolution française: Robert Enrico Richard T. Heffron: Drama, History, Thriller, War. 1989 France The Austrian: L'Autrichienne: Pierre Granier-Deferre: Biography ...
The original French title of the film, Le Voyage à travers l'impossible, comes from a stage spectacular of the same name, written in 1882 by Jules Verne. Méliès was probably inspired by memories of this play, but otherwise the film bears little connection to it; the plot structure appears to be inspired more closely by a previous Méliès ...