Search results
Results from the WOW.Com Content Network
The European harmonium developed in the 18th century, inspired by the Chinese sheng, a gourd mouth organ. [3] Various types of European harmoniums and reed-organs arrived in India in the 19th century, some were brought by missionaries. [2] [1] The Indian harmonium is derived from reed organ designs developed in France.
Sudhir Nayak (Marathi: सुधीर नायक, Kannada: ಸುಧೀರ್ ನಾಯಕ್, born 15 May 1972) is an Indian classical Harmonium player, a disciple of Pandit Tulsidas Borkar and Pandit Jitendra Abhisheki. He is also a music composer of repute and is constantly engaged in teaching music to students regularly and also through ...
The Harmonium replaced the Sarangi in the early 20th century and went through tough times as it first was banned as accompanying instrument by All India Radio (A.I.R). Hindustani classical music exponents such as Walawalkar (and many others) established the Harmonium as solo instrument in Indian Classical music. [3] [10]
His first public performance was a harmonium solo in 1972 on Mumbai Doordarshan. [5] He was a performing member at the National Centre for the Performing Arts (Mumbai) and played harmonium in music programmes at the centre, arranged by Purushottam Laxman Deshpande and Ashok Ranade. He taught Harmonium as Hon. Lecturer at the Department of Music ...
Tribal fiddle instruments called "Dhodro Banam" used by Santhal people in Eastern India. Chikara; Dhantara; Dilruba; Ektara violin; Esraj; Kamaicha; Kingri (string instrument)
He performs classical renditions, semi-classical forms like Marathi Natyasangeet (Stage Music), bhajans, and thumri. His contributions to music encompass a range of engagements. Kedar has participated in numerous harmonium solo recitals and has provided accompaniment for vocalists in various concerts, spanning across India, Europe, and the ...
Marathi Kirtan or " Kirtan " is an art of spiritual teaching through story-telling. ... The performer has accomplished musical instruments like harmonium, drums, and ...
Bhaskarbuwa Bakhale, and would also often perform solo, but later gave up harmonium for most part of his career. He composed music for the drama Manapman in 1910, and also for the first Marathi talkie Ayodhyecha Raja (1932). He also acted in both these productions. He was a personal friend of Late Yuvaraja of Mysore, HH Sri.