Ads
related to: bull horns wall decoretsy.com has been visited by 1M+ users in the past month
- Bestsellers
Shop Our Latest And Greatest
Find Your New Favorite Thing
- Free Shipping Orders $35+
On US Orders From The Same Shop.
Participating Shops Only. See Terms
- Personalized Gifts
Shop Truly One-Of-A-Kind Items
For Truly One-Of-A-Kind People
- Editors' Picks
Daily Discoveries Curated By
Our Resident Statement Makers
- Bestsellers
1stdibs.com has been visited by 100K+ users in the past month
The premier shopping destination for designers - Entrepreneur.com
Search results
Results from the WOW.Com Content Network
The Minoan wall paintings at Tell el-Dab'a are of particular interest to Egyptologists and archaeologists. They are of Minoan style, content, and technology, but there is uncertainty over the ethnic identity of the artists. The paintings depict images of bull-leaping, bull-grappling, griffins, and hunts.
The bull evidences the Mycenaean Flying Leap, which means he is intended to be at full gallop. The artist has shown the bull's body in an elongated form with extended legs to indicate movement. His horns, however, are being firmly held by the woman in front - possibly either in preparation to leap over the bull, or while stationary.
In Orphism, Zagreus, an equivalent of Dionysus, was described as "bull-faced"; possibly influencing Dionysus' epithet Tauros ("bull") and depictions of him with horns, as attested by Plutarch. In Euripides ' The Bacchae , there is a scene were King Pentheus sees a horned Dionysus, resulting in him losing his sanity.
Relief fresco of a bull's head, part of a much larger scene, from Knossos, AMH. A different type of fresco is the relief fresco, also called "painted stuccos", [51] where the plaster has been formed into a relief of the main subject before it is painted, probably in imitation of Egyptian stone reliefs. The technique is mostly, but not ...
The reconstructed horns of consecration at Knossos "Horns of Consecration" is a term coined by Sir Arthur Evans [1] for the symbol, ubiquitous in Minoan civilization, that is usually thought to represent the horns of the sacred bull. Sir Arthur Evans concluded, after noting numerous examples in Minoan and Mycenaean contexts, that the Horns of ...
Evans' change of mind was perhaps largely because he had decided that the original painted wall with the fresco was part of a processional corridor in the palace, and the figure one of a group of others shown in procession, via another corridor, towards the Central Court of the palace, always thought to be the place where bull-leaping took place.
Ads
related to: bull horns wall decoretsy.com has been visited by 1M+ users in the past month
1stdibs.com has been visited by 100K+ users in the past month
The premier shopping destination for designers - Entrepreneur.com