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Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
"Mon Homme" (French pronunciation: [mɔ̃n‿ɔm]), also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock.
The Man Who Laughs (also published under the title By Order of the King from its subtitle in French) [2] is a novel by Victor Hugo, originally published in April 1869 under the French title L'Homme qui rit. It takes place in England beginning in 1690 and extends into the early 18th-century reign of Queen Anne. It depicts England's royalty and ...
Cur Deus Homo? (Latin for "Why [Was] God a Human?"), usually translated Why God Became a Man, is a book written by Anselm of Canterbury in the period of 1094–1098.In this work he proposes the satisfaction view of the atonement.
A Man Asleep (French: Un homme qui dort) is a 1967 novel by the French writer Georges Perec. It uses a second-person narrative, and follows a 25-year-old student, who one day decides to be indifferent about the world. A Man Asleep was adapted into a 1974 film, The Man Who Sleeps. [1]
The Treatise on Man (French: L'Homme) is an unfinished treatise by René Descartes written in the 1630s and published posthumously, firstly in 1662 in Latin, then in 1664 in French by Claude Clerselier.
The translation above is adapted slightly from program notes for the early music group Capella Alamire. An extensive listing of sources and critical commentary on Masses based on the "L'homme armé" tune, created as part of a Spring 2002 seminar by Mary Kay Duggan at the University of California, Berkeley, is available at Reform and music: 1450 ...
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