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Enid in the Idylls of the King (1913), illustrated by Eleanor Fortescue-Brickdale. Enide (Welsh: Enid) is a character in Arthurian romance. [1] She is married to Erec in Chrétien de Troyes' Erec and Enide, [2] and to Geraint in the Welsh romance of Geraint and Enid analogous to Chrétien's version.
Enid tells the Earl to pretend to carry her off unwillingly. However, the next morning she makes a quick escape with Geraint to avoid the Earl. The innkeeper, unaware of Enid's trouble, tells the Earl where Geraint and Enid are going. The Earl and his men catches up with them. Geraint overthrows them all. Geraint is thought to be mad because of ...
Howard Pyle's illustration for The Story of the Grail and the Passing of King Arthur (1910). Geraint (/ ˈ ɡ ɛr aɪ n t / GHERR-eyent) is a character from Welsh folklore and Arthurian legend, a valiant warrior possibly related to the historical Geraint, an early 8th-century king of Dumnonia.
"Enid and Geraint Reconciled", Louis Rhead and George Rhead's illustration for Idylls of the King (1898) Geraint and Enid, also known by the title Geraint, son of Erbin, is analogous to Chrétien de Troyes' 12th-century poem Erec and Enide; some scholars think the two derive from a common lost source, while others believe Geraint is based directly or indirectly on Erec (though Chrétien may ...
King Arthur's grandson through Tom a Lincoln. Another Black Knight is an antagonist figure Blanchefleur: Perceval, the Story of the Grail, c. 1181 Percival's wife, niece to Gornemant: Bors the Elder (French: Bohort) Lancelot-Grail, early 13th century; The Once and Future King: Brother to King Ban, and an ally of Arthur's Bors the Younger†
Maleagant (alternately Malagant, Meleagan, Meleagant, Meliagant, Meliagaunt, Meliagant, Meliaganz, Meliagrance, Meliagrant, Mellegrans, Mellyagraunce) is a villain from Arthurian legend. In a number of versions of a popular episode, Maleagant abducts King Arthur’s wife, Queen Guinevere, necessitating her rescue by Arthur and his knights.
Unlike other screen adaptations of Arthurian legend, the film makes no attempt at situating the characters in a natural or supernatural world. Instead, Perceval and his cohorts inhabit a colorful theatrical realm replete with rudimentary props, stylized backdrops, and a singing chorus that participates in the drama. At many points, characters ...
A Kid in King Arthur's Court; The Kid Who Would Be King; Kids of the Round Table; King Arthur (2004 film) King Arthur Was a Gentleman; King Arthur: Legend of the Sword; A Knight in Camelot; Knightriders; Knutzy Knights