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Lock, Stock and Two Smoking Barrels: Guy Ritchie: 1998 United Kingdom [14] Lone Star: John Sayles: 1996 United States [101] Lord of Illusions: Clive Barker: 1995 United States [102] Lost Highway: David Lynch 1997 United States [27] Love Crimes: Lizzie Borden: 1992 United States [27] Malice: Harold Becker 1993 United States [8] The Matrix: Lana ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
Fans of TCM know him as the host of that network’s weekly series all about film noir, retro-stylish Hollywood crime drama with cynical guys, dangerous dames, risky liaisons and dark, dirty deeds.
Here are our top picks for stock market and Wall Street movies that every investor should watch. Each straddles the line between education and entertainment — and doesn’t skimp on either. 1.
The Simpsons Movie: co-production with 20th Century Fox Animation, Gracie Films and Matt Groening Productions: August 31, 2007 Death Sentence: North American distribution only; produced by Hyde Park Entertainment and Baldwin Entertainment Group October 5, 2007 The Seeker: The Dark is Rising: co-production with Walden Media and Marc Platt ...
Among the first major neo-noir films—the term often applied to films that consciously refer back to the classic noir tradition—was the French Tirez sur le pianiste (1960), directed by François Truffaut from a novel by one of the gloomiest of American noir fiction writers, David Goodis. [96]