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Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
His signs and symbols include the laurel wreath, bow and arrow, and lyre. His sacred animals include roe deer, swans, and pythons. Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence.
Her symbols include the peacock, cuckoo, and cow. Poseidon: Neptune: God of the seas, water, storms, hurricanes, earthquakes and horses. The middle son of Cronus and Rhea. Brother of Zeus and Hades. Married to the Nereid Amphitrite; although, as with many of the male Greek gods, he had many lovers. His symbols include the trident, horse, bull ...
Daniel's concept of four successive world empires is drawn from Greek theories of mythological history. [2] The symbolism of four metals in the statue in chapter 2 is drawn from Persian writings, [ 2 ] while the four "beasts from the sea" in chapter 7 reflect Hosea 13:7–8, in which God threatens that he will be to Israel like a lion, a ...
(Greek mythology) Thyrsus, a staff tipped with a pine cone and entwined with ivy leaves, carried by Dionysus and his followers. (Greek mythology) Caduceus (also Kerykeion), the staff carried by Hermes or Mercury. It is a short staff entwined by two serpents, sometimes surmounted by wings, and symbolic of commerce. (Greek mythology)
In Greek mythology, Sidero (Ancient Greek: Σιδηρώ means "the Iron One") was the second wife of King Salmoneus of Elis and stepmother of Tyro, whom she mistreated. Pelias and Neleus, Tyro's twin sons, sought revenge when they reached adulthood.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Meteoric iron or "sky-iron" (Tib. gnam lcags) is the supreme substance for forging the physical representation of the vajra or other iron weapons, since it has already been tempered by the celestial gods in its passage across the heavens. The indivisibility of form and emptiness is a perfect metaphor for the image of a meteorite or "stone ...