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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. [1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate. The film exists in the public domain and was restored and preserved by the UCLA Film and Television Archive.
Shakedown is a 1950 American crime film noir directed by Joseph Pevney and starring Howard Duff, Brian Donlevy, Peggy Dow, Lawrence Tierney, Bruce Bennett and Anne Vernon. [ 1 ] Plot
Steven H. Scheuer's TV Movie Almanac & Ratings 1958 & 1959 gives Borderline a "Fair" rating of 2 stars (out of 4), summarizing its plot as "[A] policewoman is sent to get the goods on dope smugglers working from Los Angeles to Mexico" with the evaluation, "[U]ncertain melodrama wavers between seriousness and farce, is successful at neither". 35 years later, in the 1993–1994 edition, the plot ...
Whirlpool is a 1950 [1] [2] American film noir thriller directed by Otto Preminger and written by Ben Hecht and Andrew Solt, adapted from the 1946 novel Methinks the Lady... by Guy Endore. The film stars Gene Tierney , Richard Conte , José Ferrer and Charles Bickford , and features Constance Collier in her final film role.
The Killer That Stalked New York (also known as Frightened City) is a 1950 American film noir directed by Earl McEvoy and starring Evelyn Keyes, Charles Korvin and William Bishop. The film, shot on location and in a semi-documentary style, is about diamond smugglers who unknowingly start a smallpox outbreak in the New York City of 1947.
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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
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