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This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [ 1 ]
The character of Casey Becker (played by then A-list actress Drew Barrymore) in Scream is killed in the first fifteen minutes. An example in literature and television is Ned Stark in the Game of Thrones franchise, who is killed before the end of the first book/season, despite receiving the most focus of the ensemble of characters.
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
A character may as easily find themselves in conflict with a natural force, such as an animal or a weather event, like a hurricane. The literary purpose of conflict is to create tension in the story, making readers more interested by leaving them uncertain which of the characters or forces will prevail. [2]
A stock character, popular in 16th-century Spanish literature, who is comically and shockingly vulgar Clarín, the clown in Pedro Calderón de la Barca 's Life is a dream , is a gracioso. Examples of similar characters in Anglophone culture include Bubbles , Wheeler Walker, Jr. and the stand-up persona of Bob Saget
Scholars have likened the Valar to Christian angels, intermediaries between the creator and the created world. [1] [2] Painting by Lorenzo Lippi, c. 1645J. R. R. Tolkien was an English author and philologist of ancient Germanic languages, specialising in Old English; he spent much of his career as a professor at the University of Oxford. [3]
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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]