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Though Robinson and Roussos worked out of Kane's art studio in The New York Times building, Kane himself did all his drawing at home. [16] Shortly afterward, when DC wanted more Batman stories than Kane's studio could deliver, the company assigned Dick Sprang and other in-house pencilers as "ghost artists", drawing uncredited under Kane's ...
Arkham Asylum: A Serious House on Serious Earth (often shortened to Batman: Arkham Asylum) is a Batman graphic novel written by Grant Morrison and illustrated by Dave McKean. The story follows the vigilante Batman , who is called upon to quell a maddening riot taking place in the infamous Arkham Asylum , a psychiatric hospital housing the most ...
The first instance of Adams drawing Batman in an interior story was "The Superman-Batman Revenge Squads" in World's Finest Comics #175 (May 1968). [ 29 ] Another signature character, in what would prove Adams' breakout series, was the supernatural hero Deadman , who had debuted in DC's Strange Adventures #205 (Nov. 1967).
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Greg Capullo began drawing at an early age, and remembers that he drew his first drawing of Batman when he was 4. His preference for Batman persisted into his adulthood, with his favorite DC Comics graphic novel being Frank Miller's The Dark Knight Returns.
Aparo continued to draw Batman stories in Detective and Batman until the early 1990s. During this time, he was the regular artist on Batman when Bane broke Bruce Wayne's back during the "KnightFall" storyline. [25] In 1992, Aparo returned to do pencils, inks, and lettering for his Batman stories, but was soon returned to contributing only ...
At first, this series was a campy revival drawing on the popularity of the Batman TV show, as exemplified by the guest appearance of celebrities like Jack Benny and public figures like Conrad Hilton. Later, it told more serious Batman stories and featured guest appearances by Batgirl, Superman and Aquaman.
Art by Bob Kane and Robinson. Batman's nemesis, the Joker, was introduced around the same time, in Batman #1 (Spring 1940). Though Kane claimed he and writer Bill Finger came up with the idea for the Joker, most comic historians credit Robinson for the iconic villain, modeled after Conrad Veidt in the 1928 film, The Man Who Laughs. [7]
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