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Nonsense verse is a form of nonsense literature usually employing strong prosodic elements like rhythm and rhyme. It is often whimsical and humorous in tone and ...
She finds the nonsense verse as puzzling as the odd land she has passed into, later revealed as a dreamscape. [1] "Jabberwocky" is considered one of the greatest nonsense poems written in English. [2] [3] Its playful, whimsical language has given English nonsense words and neologisms such as "galumphing" and "chortle".
Literary nonsense, as recognized since the nineteenth century, comes from a combination of two broad artistic sources. The first and older source is the oral folk tradition, including games, songs, dramas, and rhymes, such as the nursery rhyme "Hey Diddle Diddle". [3]
Nonsense verse is the verse form of literary nonsense, a genre that can manifest in many other ways. Its best-known exponent is Edward Lear, author of The Owl and the Pussycat and hundreds of limericks. Nonsense verse is part of a long line of tradition predating Lear: the nursery rhyme Hey Diddle Diddle could also
Chrononhotonthologos occupies a central position in the development of English nonsense verse. Carey's word play appears to exist for its own sake, and the sounds of words are one source of amusement. Additionally, like other nonsense verse, the writing plays with and parodies a well identified genre of high seriousness.
Edward Lear (12 May 1812 [1] [2] – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.
John tells us in the opening verse of his Gospel: "In the beginning was the Word, and the Word was with God, ... that is dangerous nonsense. In point of fact, the template according to which the ...
Frank Gelett Burgess (January 30, 1866 – September 18, 1951) was an American artist, art critic, poet, author and humorist. An important figure in the San Francisco Bay Area literary renaissance of the 1890s, particularly through his iconoclastic little magazine, The Lark, and association with The Crowd literary group.