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Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
In 1985, the album won a Blues Music Award by The Blues Foundation for 'Classics of Blues Recordings—Album'. [10] In 2012, the album was ranked No. 238 on Rolling Stone magazine's list of the 500 greatest albums of all time and described as "an outrageous set of sex songs written by Willie Dixon."
Chester Burnette A.K.A. Howlin' Wolf: Howlin' Wolf Cadet 2CA-60017 The Heatin' System: Jack McDuff: Cadet 2CA-60018 Inside: Ramsey Lewis: Cadet 2CA-60019 Cool Cookin' Kenny Burrell: Chess CH-60020 The London Chuck Berry Sessions: Chuck Berry: Cadet CA-60021 12 X 6 The Hard Way: Various Artists Cadet CA-60022 12 X 6 The Easy Way: Various Artists ...
The Penguin Guide to Blues Recordings [ 4 ] AllMusic reviewer Cub Koda wrote: "The 1972 live album Live and Cookin' at Alice's Revisited is a great document of Wolf toward the end, still capable of bringing the heat and rocking the house down to the last brick".
He is best known as the principal guitarist in Howlin' Wolf's band from 1948 to 1953. [2] His raucous, distorted guitar playing is prominent on Howlin' Wolf's Memphis recordings during 1951–1953, including the hit song "How Many More Years" (recorded May 1951). [3] In 2017, Johnson was posthumously inducted in to the Blues Hall of Fame. [4]
Christmas Duets; Christmas with Elvis and the Royal Philharmonic Orchestra; Christmas with the Rat Pack; Clareville Grove Demos; Classic Hits of Harry Chapin; The Classic Quartet – Complete Impulse! Studio Recordings; Classic Sinatra: His Greatest Performances 1953–1960; Co Gal; Coda (Led Zeppelin album) The Collection (Michael Jackson ...
The Howlin' Wolf Album is a studio album by Howlin' Wolf, released in 1969. It features members of Rotary Connection as his backing band. [1] The album mixed blues with psychedelic rock arrangements of several of Wolf's classic songs. Howlin' Wolf strongly disliked the album, which is noted on the album's cover art.
In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]