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The Tribute Money is a fresco by the Italian Early Renaissance painter Masaccio, located in the Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Painted in the 1420s , it is widely considered among Masaccio's best work, and a vital part of the development of Renaissance art .
The Tribute Money (Italian: Cristo della moneta, lit. 'Christ of the coin') is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian , now in the Gemäldegalerie Alte Meister in Dresden , Germany.
The Tribute Money 1516 Oil on panel, 75 x 56 cm Gemäldegalerie, Dresden "Render therefore unto Caesar the things that are Caesar's, and unto God the things that are God's" (Matt. 22:21) was a fundamental text for relations between Church and State, and sound advice for the patron Alfonso d'Este, who owed allegiance to both the Pope and the ...
The Tribute Money, a 1612–14 painting by Peter Paul Rubens; The Tribute Money, a 1516 painting by Titian; The Tribute Money (Philippe de Champaigne), a c. 1663-1665 painting by Philippe de Champaigne; The Tribute Money, either of two paintings by Giuseppe Bazzani; The Tribute Money, an 1817 painting by George Hayter; The Tribute Money, a ...
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Masaccio's The Tribute Money in the Brancacci Chapel, Smarthistory [13] The painting is part of a cycle on the life of Saint Peter, and describes a scene from the Gospel of Matthew , in which Jesus directs Peter to find a coin in the mouth of a fish in order to pay the temple tax — The Tribute Money is drawn from the Gospel Matthew 17:24–27 .
The Tribute Money, fresco by Masaccio in the Brancacci Chapel. The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" [1] for its painting cycle, among the most famous and influential of the ...
Masaccio (UK: / m æ ˈ s æ tʃ i oʊ /, US: / m ə ˈ s ɑː tʃ i oʊ, m ə ˈ z ɑː tʃ (i) oʊ /; [1] [2] [3] Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.