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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [2] Led by his guide, the Roman poet Virgil, Dante enters the second circle of hell in Inferno 's Canto V. Before entering the circle proper they encounter Minos, the mythological king of the Minoan civilization.
Dante Alighieri (Italian: [ˈdante ... the Inferno, begins, "Nel mezzo ... [101] is a summary treatise of political philosophy in Latin which was condemned and burned ...
Dante's Inferno: An Animated Epic is a direct-to-DVD animated film released on February 9, 2010. The film is also a spin-off from Dante's Inferno. [citation needed] The video game Ultrakill is partially inspired by Dante's Inferno, with the games setting being a Hell divided into distinct layers like in the Divine Comedy. Though some layers ...
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
Dante's depiction of homosexuals as souls capable of salvation is particularly lenient for the time period and is often omitted from later illustrations of Purgatorio. [87] In addition, this depiction is a marked massive departure from Inferno, where Dante represents sodomy as a sin of violence instead of one of excessive love. [88]
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