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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso . The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
Thus the principal figures of Dante, Virgil and Beatrice often appear several times in an image. [16] There are two additional drawings, a map of Hell preceding Inferno, and a double-page drawing of Lucifer that depicts Dante's and Virgil's descent to Hell. [1]
Since the publication of Divine Comedy in 1314, scholars had attempted to map the physical features of Dante's Inferno, such as the blasted valleys, caverns and the roiling rivers of fire. [3] In his lectures Galileo suggested that many commonly accepted dimensions did not stand up to mathematical scrutiny.
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
In Dante Alighieri's Inferno, part of the Divine Comedy, Malebolge (English: / ˌ m æ l ɪ ˈ b ɒ l dʒ / MAL-ib-OLJ, Italian: [ˌmaleˈbɔldʒe]; lit. ' evil ditches ') or Fraud is the eighth circle of Hell. [1]
In the sixth book of Virgil's Aeneid (one of the principal influences on Dante in his depiction of Hell), the hero Aeneas enters the "desolate halls and vacant realm of Dis". [4] His guide, the Sibyl, corresponds in The Divine Comedy to Virgil, the guide of "Dante" as the speaker of the poem.
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.