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Sometimes the baskets produced by one tribe were indistinguishable from those made by those of another tribe. [7] Some fully feathered baskets have small, distinguishing features which suggests a specific tribal heritage. [3] Fully feathered baskets were very personal items, often given as a gift and destroyed at the death of the owner. [4]
Her baskets were featured in many newspapers and she was viewed as a prodigy. [1] She began giving demonstrations in the State Indian Museum in Sacramento, where she refused to sell the baskets she made and instead gave them as gifts. [1] In the late 1970s she began teaching basket-weaving classes for both native and non-native students. [2]
Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
Today, many of their baskets are housed at the National Smithsonian Anthropological Archives, University of California Berkeley, California State Parks Archives, and many other museums and universities. Louisa Francisco, a Bankalachi was well known for her wonderful baskets. Some Tübatulabal families in Kern Valley are related to Francisco.
A burden basket was also made by the Achomawi, as was a mesh beater which would be used to harvest seeds into the burden baskets, made of willow or a mix of willow and pine root. [ 17 ] Most baskets are covered in a light white overlay of xerophyllum tenax , though it is believed that those covered in xerophyllum tenax are for trade and sale ...
Five of Dat So La Lee's baskets are included in a 2023 exhibition Independent 20th Century in New York City. [11] The five include a basket titled "Brotherhood of Men" which sold for $1.2 million in 2007, and a 1916 basket titled "Myriads of Stars Shine Over Our Dead Ancestors" that Dat So La Lee considered as her best work. [7]
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Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles ( Yosemite Miwok - Mono Lake Paiute ); Mabel McKay , ( Cache Creek Pomo - Patwin ) and Elsie Allen ( Cloverdale Pomo ).