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[a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day.
"Annabel Lee" is the last complete poem [1] composed by American author Edgar Allan Poe. Like many of Poe's poems, it explores the theme of the death of a beautiful woman. [2] The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are envious. He retains his love for her after her death.
Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. [1] The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman," "Still I Rise," and "Our Grandmothers" appeared in And Still I Rise (1978) and "Weekend Glory" appeared in Shaker, Why Don't You Sing ...
The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century femme fatale iconography. [3] The poem continues to be referred to in many works of literature, music, art, and film.
"Types of Women", also titled "Women", and described in critical editions as Semonides 7, is an Archaic Greek satirical poem written by Semonides of Amorgos in the seventh century BC. The poem is based on the idea that Zeus created men and women differently, and that he specifically created ten types of women based on different models from the ...
The Female Advocate takes John Duncombe's The Feminead: or, female genius. A poem (1754) as its inspiration. Scott expresses gratitude and admiration for Duncombe, then justifies her own project with her stated wish to expand his original list of "female geniuses", as well as to include some of those who came to prominence since he wrote (page v).
The phrase was subsequently picked up by James Oppenheim and incorporated into his poem 'Bread and Roses', [19] which was published in The American Magazine in December 1911, with the attribution line "' Bread for all, and Roses, too' – a slogan of the women in the West." [20] After the poem’s publication in 1911, the poem was published ...
Historically, literature has been a male-dominated sphere, and any poetry written by a woman could be seen as feminist. Often, feminist poetry refers to that which was composed after the 1960s and the second wave of the feminist movement. [1] [2] This list focuses on poets who take explicitly feminist approaches to their poetry.
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