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Dances with triple time music signature (3/4, 3/8, 9/8, etc.) ... Pages in category "Triple time dances" The following 29 pages are in this category, out of 29 total.
a graceful and balletic form of the old bolero; dance in 3/4 time popular in the last century estampa look, appearance by the stance, positioning, form, and dress estribillo short phrases sung repeatedly at the end of a song; the last section of a dance done with singing, where the cantaor/a sings while the baile is danced; see 'coletilla' [2]
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, [2] and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s.
Latin dance is a general label, and a term in partner dance competition jargon. It refers to types of ballroom dance and folk dance that mainly originated in Latin America, though a few styles originated elsewhere. The category of Latin dances in the international dancesport competitions consists of the Cha-cha-cha, Rumba, Samba, Paso Doble ...
Fandango is a lively partner dance originating in Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, tambourine or hand-clapping. Fandango can both be sung and danced.
The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. [1] [2] A dance called zarabanda is first mentioned in 1539 in Central America in the poem Vida y tiempo de Maricastaña, written in Panama by Fernando de Guzmán Mejía.
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The dance begins with the man offering his right arm to the woman as an invitation for her to dance (there is even a special word for this action, Quechua: wayñukuy "to invite woman to dance a wayñu"). Alternatively, he puts his handkerchief on the shoulder of the woman. Next, the partners walk along an enclosure, and finally they dance.