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Song Album Musical artist Literary work Author Comments Citations "7th Step" Songs Inspired by Literature, Chapter One: Deborah Pardes: Angela's Ashes: Frank McCourt [29] "40" War: U2: The 40th Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [30] "1984" Diamond Dogs: David Bowie: Nineteen Eighty-Four: George Orwell
In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute.
(The distinction is especially characteristic of the literature of the art-song, where such works are contrasted with strophic settings.) [3] Many examples of this form can be found in Schubert 's lieder , in which the words of a poem are set to music, and each line is different.
Franz Schubert's best known song cycles, like Die schöne Müllerin and Winterreise are based on separate poems with a common theme and narrative. Other song cycles are based on consecutive excerpts of the same literary work: Schubert's "Ave Maria" is part of such a song cycle based on excerpts of the same poem, in this case by Walter Scott.
When the word ballad appears in the title of a song, as for example in the Beatles' "The Ballad of John and Yoko" (1969) or Billy Joel's "The Ballad of Billy the Kid" (1974), the folk music sense is generally implied. The term ballad is also sometimes applied to strophic story-songs more generally, such as Don McLean's "American Pie" (1971).
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire"). [1] An art song is most often a musical setting of an independent poem or text, [ 1 ] "intended for the concert repertory" [ 2 ] "as part of a recital or other relatively formal social occasion". [ 3 ]