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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Authors of film, fiction, drama, and poetry evoke different levels of aesthetic distance. For instance, William Faulkner tends to invoke a close aesthetic distance by using first-person narrative and stream of consciousness, while Ernest Hemingway tends to invoke a greater aesthetic distance from the reader through use of third person narrative.
[3]: ix In this text, Aristotle offers an account of ποιητική, which refers to poetry, and more literally, "the poetic art", deriving from the term for "poet; author; maker", ποιητής. Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
An audience in Tel Aviv, Israel, waiting to see the Batsheva Dance Company Audiences at the 2013 World Championships in Athletics in Moscow, Russia. An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or ...
The term has generally come to identify a collection of writings, which in Western culture are mainly prose (both fiction and non-fiction), drama, and poetry. In much, if not all, of the world, artistic linguistic expression can be oral as well and include such genres as epic, legend, myth, ballad, other forms of oral poetry, and folktales.
In 1949, a national readers theater tour by the First Drama Quartet—Charles Laughton, Agnes Moorehead, Charles Boyer, and Cedric Hardwicke [3] —appeared in 35 states, putting on 500 performances. Their presentation of Don Juan in Hell was seen by more than a half-million people. Columbia Masterworks recorded a performance, which was later ...
By the 1970s, three main forms of poetry performance had emerged. First was the poetry reading, at which poems that had been written for the page were read to an audience, usually by the author. Poetry readings have become widespread and poetry festivals and reading series are now part of the cultural landscape of most Western societies.