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Sylvia Plath (/ p l æ θ /; October 27, 1932 – February 11, 1963) was an American poet and author.She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963.
Sylvia Plath at twenty-eight years old sitting in her London flat during July 1961 "Daddy" is a poem written by American confessional poet Sylvia Plath.The poem was composed on October 12, 1962, one month after her separation from Ted Hughes and four months before her death.
The Bell Jar is the only novel written by the American writer and poet Sylvia Plath.Originally published under the pseudonym "Victoria Lucas" in 1963, the novel is supposedly semi-autobiographical with the names of places and people changed.
“The Disquieting Muses” includes a reference to Plath’s childhood in Winthrop, Massachusetts when a category 3 hurricane struck the area in September 1938: “windows bellied in / like bubbles about to break.” Almost six-years-of-age at the time, Plath retained vivid memories of a storm that killed 564 people and injured 1,700.
Ariel was the second book of Sylvia Plath's poetry to be published. It was first released in 1965, two years after her death by suicide. The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems.
The list below includes the poems in the US version of the collection, published by Heinemann in 1960. [1] This omits several poems from the first UK edition, published by Faber and Faber in 1967, [2] including five of the seven sections of "Poem for a Birthday", only two of which ("Flute Notes from a Reedy Pond" and "The Stones") are included in the US edition.
“Mad Girl's Love Song” is a poem by Sylvia Plath that explores love, heartbreak, and delusion. It follows the thought process of the speaker reflecting on a lost love, and struggling to decide whether the memories and feelings associated with the love were real or imagined.
"Ariel" is composed of ten three-line stanzas with an additional single line at the end, and follows an unusual slanted rhyme scheme. Literary commentator William V. Davis notes a change in tone and break of the slanted rhyme scheme in the sixth stanza which marks a shift in the theme of the poem, from being literally about a horse ride, to more of a metaphoric experience of oneness with the ...