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The southern bay of the lobby has been walled off to create a new office space. The decorative varnished oak leading into the old Post Master's office is mostly intact and well maintained. The rest of the floor is divided by drywall partitions. Ceilings are 2x4 lay-in acoustical tile, concealing air-conditioning ducts and original plaster ceilings.
The lobby contains furniture in various colors, while the front desk is clad with purple marble. In addition, various paintings by residents are hung on the beige-pink walls, and the lobby's ceiling is decorated with frescoes, roses, and garlands. [40] Adjacent to the lobby is the Lobby Bar, which contains mosaic-tile floors, a marble bar, art ...
In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their ideas on artistic interior design to a wide middle-class audience. [17] By 1900, the situation was described by The Illustrated Carpenter and Builder: [18]
Detail of Time, ceiling mural in lobby of 30 Rockefeller Plaza in New York City, by Josep Maria Sert (1941) There was no section set aside for painting at the 1925 Exposition. Art deco painting was by definition decorative, designed to decorate a room or work of architecture, so few painters worked exclusively in the style, but two painters are ...
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.
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Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
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