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A rakusu (絡子) is a traditionally Japanese garment worn around the neck of Zen Buddhists who have taken the precepts. [1] It can also signify Lay Ordination. It is made of 16 or more strips of cloth, sewn together into a brick-like pattern by the student during their period of preparation for their jukai or ordination ceremony.
Zen Buddhist monks wear a form of formal dress which is composed of two kimono, covered by the jikitotsu; and the kesa is finally worn on top of the jikitotsu. [ 15 ] Japanese buddhism kesa (袈裟) used to be worn covering the entire body beneath the head, including both shoulders, but now they are worn with the right shoulder exposed, except ...
A samue being worn.. The samue (作務衣) is the work clothing of Japanese Buddhist monks and nuns, worn when engaged in samu.. Made from cotton or linen and traditionally dyed brown or indigo to distinguish them from formal vestments, samue are worn by monks of most Japanese Buddhist traditions performing labour duty such as temple maintenance and field work.
Traditional loose-woven two-piece clothing, consisting of a robe-like top and shorts below the waist; the seams connecting the sleeves to the body are traditionally loosely-sewn, showing a slight gap. Worn by men, women, boys, girls, and even babies, during the hot, humid summer season, in lieu of kimono. Jittoku (十徳)
An explanation to the origins of Taoist ritual clothing (Chinese: 道衣; pinyin: dàoyī; lit.'Taoist clothing') might be they are derived from robes worn by zhouyi (Chinese: 咒醫; pinyin: zhòuyī; i.e. ritual healers) and fangshi in ancient China as their clothing were embroidered with patterns of flowing pneuma which are similar to clouds, depictions of the celestial real and the underworld.
The hujianyi was a piece of fabric which covers the right shoulder of Buddhist nuns and was only used by the nuns; it started to be used after some Buddhist nuns suffered harassment by men for wearing right shoulder-exposing clothes. [19] Portrait of Zen master Wuzhun Shifan, painted in 1238, Song dynasty.
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