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The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
Since they started releasing recordings in 1992, they have published and recorded hundreds of songs on over 50 albums, mostly under their own label, Hillsong Music. Below is a list of songs arranged alphabetically by title. Italicised song titles indicate an instrumental recording. Italicised album names indicate an instrumental album.
"Transfiguration," music by Ellis (©1927; copyright assigned in 1939 to Boston Music Company) [10] Words for the first 1/3rd of the song is Matthew's account of Jesus' transfiguration on the mountain Words for the remaining 2/3rds is an excerpt from Thomas Moore's Lalla Rookh. Boston Music Co. (G. Schirmer, Boston)
Concordia: a collection of hymns and spiritual songs (1918) [330] Young People's Luther League Convention Song Book [331] [332] The Parish School Hymnal (1926) [333] [334] The Primary Hymn Book, Hymns and Songs for Little Children (1936) [335] United Lutheran Church in America. Common Service Book of the Lutheran Church with Hymnal (1917) [286]
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
The Carter hymn is also titled "I Am the Lord of the Dance" [8] and "I Danced in the Morning". [9] In 1996, the Carter hymn was adapted without authorization or acknowledgments of the origins of the tune or Carter's lyrics by Ronan Hardiman for Michael Flatley's dance musical, Lord of the Dance.