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The song was released as a single in North America, Japan and New Zealand in 1978, albeit in heavily edited form, and peaked at #74 on the U.S. Billboard Hot 100 [12] and #66 on the Cash Box Top 100. [13] The song was later included on the Queen Rocks compilation in 1997.
Queen (Mercury) Mercury [4] "Dog With A Bone" The Miracle Collector's Edition: 2022 Queen Taylor and Mercury "Doing All Right" Queen: 1973 May, Tim Staffell: Mercury [11] "Don't Lose Your Head" A Kind of Magic: 1986 Taylor Taylor & Mercury [12] "Don't Stop Me Now" ‡ Jazz: 1978 Mercury Mercury [7] "Don't Try So Hard" Innuendo: 1991 Queen ...
[58] [124] Having written the song on guitar and played rhythm on the record, Mercury played rhythm guitar when performing the song live, the first time he ever played guitar in concert. [123] On 26 December 1979, Queen played the opening night at the Concert for the People of Kampuchea in London, having accepted a request by the event's ...
Edney's collaboration with Queen included mostly keyboards (his main instrument), plus rhythm guitar and backing vocals. After the death of Queen's lead singer and main pianist Freddie Mercury in 1991, Edney took over his role on piano during the Queen + Paul Rodgers 2005, 2006, and 2008 tours, playing all piano parts on a Korg Triton keyboard ...
"Chitlins con Carne" is a jazz blues instrumental composed by guitarist Kenny Burrell and first released on his 1963 album Midnight Blue. The original version featured Burrell on guitar, Stanley Turrentine on tenor saxophone, Major Holley on bass, Billy Gene English on drums, and Ray Barretto on congas.
"New Orleans Woman" by Dirty Blues Band (a band formed by Rod Piazza) "New Orleans Woman" by Dorsey Burnette "New Orleans Woman" by Elmer Tippe "New York To New Orleans" by Pee Wee King & His Golden West Cowboys "Night Train to New Orleans" by Wayne Toups "Ninth Ward Blues" by King James & The Special Men
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Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]