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During Ryohei's funeral, Josuke and Koichi follow a youth named Keicho Nijimura, Angelo's benefactor, to a derelict house where they are jumped by both him and his younger brother Okuyasu. As Okuyasu and his Stand The Hand hold off Josuke, Keicho drags Koichi into the house after shooting an arrow through his neck.
Okuyasu Nijimura [f] is one of the two Nijimura brothers who became friends with Josuke Higashikata and Koichi Hirose after encountering a Stand user who murdered his brother. His Stand is The Hand, [ g ] which can erase whatever it swipes with its right hand and can even be used to erase space, drawing objects closer to Okuyasu.
After cutting off Okuyasu's arm, Red Hot Chili Pepper drags the rest of his body into the cable. Josuke uses Crazy Diamond on Okuyasu's severed arm, which takes his body away from Red Hot Chili Pepper before he can be killed, and heals him. Josuke and Jotaro head to the port to save Joseph from the ambush.
[i] They were only available with the limited edition Blu-ray release of David Production's Diamond Is Unbreakable anime adaptation, and starred Yūki Ono as Josuke, Wataru Takagi as Okuyasu, Yūki Kaji as Koichi, Hiroki Shimowada as Toshikazu, Yuko Lida as Junko, and Takahiro Sakurai as Rohan. [citation needed]
Okuyasu's father is a bizarre creature that can regenerate rapidly, rendering him immortal. He was mutated by a flesh bud made from Dio's cells after the latter's death at the hands of Jotaro. At first, Okuyasu and Keicho plotted to kill their father to relieve him of his suffering, creating Stand users via the Bow and Arrow for this very purpose.
Eyes of Heaven is designed to be a 3D action brawler with tag-team elements set in large arenas based on locations in the JoJo's Bizarre Adventure manga. Players may pick a single character to control in a large environment, as well as a second character that may be controlled by either a CPU or second human player to fight the enemy team for a 2v2 battle.
The Face of Another was not well received outside of Japan, with audiences and critics largely feeling that it did not live up to Teshigahara's earlier film The Woman in the Dunes. Although it was successful in Japan, the film was a critical and financial failure internationally.
The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre over the boats and Mount Fuji visible in the background. The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints.