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On the two side shutters, angels play musical instruments, five on each side. In the left panel the instruments are, from left to right, a psaltery, a tromba marina , a lute, a trumpet and a shawm. In the right panel, from left to right, there are a straight trumpet, a looped trumpet, a portative organ, a harp and a fiddle. [ 3 ]
Both paintings feature an angel playing music, in keeping with the tradition of medieval representations of angel musicians. [1] The figure of the angel musician dates back to the 13th century. It has evolved over the centuries to proclaim the glory of an illustrious figure from the Bible, such as the Virgin Mary, Mother of God.
The two paintings of angels that are associated with the Virgin of the Rocks and are in the National Gallery do not properly fulfil the original commission for two panels each showing four angels, singing on one side and playing musical instruments on the other. There are only two musicians, both turned the same direction and both playing ...
The arch's voussures contain eight angels in all who carry phylacteries or play musical instruments. The child held by the Virgin Mary holds a bird in his hands and she presses a book against her breast. The voussures of the south porch with the depictions of eight angels carrying either phylacteries or playing musical instruments.
Christ in Majesty is at the center, flanked by the Virgin Mary and the angel Gabriel, with other angels playing musical instruments. The four Evangelists are placed at each corner. Inscriptions below the central panel read "HOC OPUS FECIT MAGISTER AND[R]EAS DA GIONA MCCCCXXXIIII" (This work was made by Master Andrea from Giona 1434).
Choir of Angels. The two musical panels are commonly known by variants of the titles Singing Angels and Music-making Angels, and are both 161 cm × 69.3 cm. Each features a choir; on the left, angels gather behind a wooden carved music stand positioned on a swivel, and to the right, a group with stringed instruments gather around a pipe organ ...
Mother and child are flanked by angels playing musical instruments, with St Catherine of Alexandria to the left opposite St Barbara on the right. The male figure standing slightly behind the celestial group presumably commissioned the painting as a devotional donor portrait.
The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. [2]
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