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In the earliest surviving examples of medieval and Renaissance self-portraiture, historical or mythical scenes (from the Bible or classical literature) were depicted using a number of actual persons as models, often including the artist, giving the work a multiple function as portraiture, self-portraiture and history/myth painting. In these ...
c. 1630 (Walker Art Gallery, Liverpool) The Liverpool Self-Portrait is transitional between a study of expression, a tronie, and a conventional head-and-shoulders 'portrait of the artist'. Self-Portrait in Oriental Costume with Poodle (1631-1633) Last self-portrait produced in his hometown and only full-length self-portrait.
The examples and perspective in this article deal primarily with Western culture and do not represent a worldwide view of the subject. You may improve this article , discuss the issue on the talk page , or create a new article , as appropriate.
As is the case with much of Kruger's art, You Are Not Yourself is often interpreted with a feminist analysis. Critics have discussed the gendered implications of the image, noting that the woman's shattered reflection suggests the existence of women in society is inherently fragmented.
The examples and perspective in this article deal primarily with Europe and do not represent a worldwide view of the subject. You may improve this article , discuss the issue on the talk page , or create a new article , as appropriate.
Caricature of Aubrey Beardsley by Max Beerbohm (1896), taken from Caricatures of Twenty-five Gentlemen. A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon).
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Personifications, often in sets, frequently appear in medieval art, often illustrating or following literary works. The virtues and vices were probably the most common, and the virtues appear in many large sculptural programmes, for example the exteriors of Chartres Cathedral and Amiens Cathedral.
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