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The Gangster, the Cop, the Devil (Korean: 악인전; Hanja: 惡人傳; RR: Aginjeon "The story of evil people") [a] is a 2019 South Korean action crime film directed by Lee Won-tae that is based on a true story. The film stars Ma Dong-seok, Kim Mu-yeol and Kim Sung-kyu. In the film, a gangster and a cop join forces to capture a serial killer ...
العربية; Aragonés; Asturianu; تۆرکجه; বাংলা; Беларуская (тарашкевіца) Bosanski; Català; Dansk; Deutsch; Español; Euskara
Starting in the 1970s, strict censorship caused decline in the number and quality of gangster movies, and none were made in the 1980s. [48] In the late 1980s and early 1990s there was a surge of imports of action movies from Hong Kong. The first of the new wave of important home grown gangster movies was Im Kwon-taek's General's Son (1990).
Gangster Wars is a 1981 American crime film directed by Richard C. Sarafian and based on the original Gangster Chronicles telecast. The film tells the story of three teenagers, based on real life gangsters Charles "Lucky" Luciano (Michael Nouri), Benjamin "Bugsy" Siegel and Michael Lasker (Brian Benben) (a fictional character who was most likely modeled after Meyer Lansky), growing up in New ...
Jesus carrying the cross "Take Up Thy Cross, The Saviour Said" is an American Christian hymn written by Charles W. Everest. It was originally a poem published in 1833 but was later altered to become a hymn. [1] It was then edited by English hymnwriter Sir Henry Baker for inclusion in the Church of England's Hymns Ancient and Modern hymnal. [2]
The American Gangster is a 1992 American crime documentary film directed by Ben Burtt and written and produced by Ray Herbeck Jr. The documentary is narrated by Dennis Farina and explores the lives of America's gangsters such as Pretty Boy Floyd, John Dillinger, Al Capone, and Bugsy Siegel. It was directly released on VHS in 1992 and later ...
"I'm gonna scrap with Denzel Washington. This is crazy," Brolin said. By the time Josh Brolin made the 2007 film American Gangster, he'd been in show business for more than 20 years.But that didn ...
Film critic Dave Kehr, writing for the Chicago Reader in 2014, rates Underworld as one of the great gangster films of the silent era. [29] "The film established the fundamental elements of the gangster movie: a hoodlum hero; ominous, night-shrouded city streets; floozies; and a blazing finale in which the cops cut down the protagonist." [30] [31]