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"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
Mass in B minor; Orchestral Suite No. 2, BWV 1067; Prelude and Fugue in B minor, BWV 544; French Suite No. 3, BWV 814; Partita No. 1 in B minor, BWV 1002; Flute Sonata in B minor, BWV 1030; Ludwig van Beethoven. Bagatelle Op. 126/4; Allegretto WoO 61 for piano; Charles Auguste de Bériot. Violin Concerto No. 2 in B Minor, Op. 32; Alban Berg ...
Beat Furrer, spazio immergente for Soprano and Trombone (2015) Gérard Grisey, Solo Pour Deux for Clarinet and Trombone (1981) Alois Hába, Suite, Op. 56 for Quarter-tone Trumpet and Trombone (1944) Vagn Holmboe, Notater, Op. 140 for 3 Trombones and Tuba (1979) Gustav Holst, Duo Concertante for Trombone and Organ (1894)
24 Preludes and Scales piano 1855 C5* [y] [71] Charles-Valentin Alkan: 12 Études in all the minor keys, Op. 39 piano 1857 [aq] These complete the sequence that was started with the 12 Études in all the major keys, Op. 35. Études 4–7 comprise the Symphony for Solo Piano, and Études 8–10 make up the Concerto for Solo Piano. Carl Czerny
Piano Concerto No. 3 (Hummel) Piano Quartet No. 3 (Mendelssohn) Piano Sonata in B minor (Liszt) Piano Sonata in B minor (Strauss) Piano Sonata No. 2 (Shostakovich) Piano Sonata No. 3 (Chopin) Prelude and Fugue in B minor, BWV 544; Prelude and Fugue in B minor, BWV 893; Prélude, Choral et Fugue (Franck)
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
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