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The Los Rojos Cartel (Spanish: Cártel de los Rojos) is a Mexican criminal organization that emerged as a split from the Beltran-Leyva Cartel, being led at first by brothers Arturo "El Barbas" and Héctor "El Ingeniero", Alfredo "El Mochomo" and Jésus Nava Romero "El Rojo", hence the name of the group. [1]
Los Rojos is a faction of a Mexican drug trafficking organization known as the Gulf Cartel. [3] The group was formed in the late 1990s during the reign of Osiel Cárdenas Guillén, the former leader of the cartel, to provide security to the organization's leaders as the cartel's armed wing.
Folk dance of Mexico, [1] commonly known as baile folklorico or Mexican ballet folk dance, is a term used to collectively describe traditional Mexican folk dances. Ballet folklórico is not just one type of dance; it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet ...
Ballet folklórico at the Celebration of Mexican political anniversaries in 2010. Baile folklórico, "folkloric dance" in Spanish, also known as ballet folklórico, is a collective term for traditional cultural dances that emphasize local folk culture with ballet characteristics – pointed toes, exaggerated movements, highly choreographed.
Cartel De Santa El Reencuentro en Vivo Vol. 2: Los Invasores de Nuevo León: Que Bonita Es la Vida: El Trono de Mexico: 12 Aquila: Pedro Capó: 19 El Dominio: MC DAVO Herança Popular: Arlindo Cruz: Bossa Negra: Diogo Nogueira and Hamilton de Holanda: En Vivo: Kany García: Aplaudan en la Luna: Illya Kuryaki and the Valderramas: 25 En Todo ...
Woman dancing folk dance at the 2019 Guelaguetza Festival. The Guelaguetza [ɡelaˈɣetsa], or Los lunes del cerro (Mondays on the Hill), is an annual indigenous cultural event in Mexico that takes place in the city of Oaxaca, capital of the state of Oaxaca, and nearby villages. The celebration features traditional costumed dancing by gender ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
The dance in its current form was the adaptation of the old "mitote" dance to Catholicism as a means of preserving some aspects of indigenous rite. It remained a purely religious ceremony until the mid 20th century when political and social changes in Mexico also gave it cultural significance as a folk dance.