Search results
Results from the WOW.Com Content Network
The instruments often have ornately carved wooden frames. The gangsa section in gamelan gong kebyar is the largest section, consisting of 13-14 players. Gangsa instruments are played with a mallet, called a panggul gangsa. The mallet differs in hardness depending on the instrument and its range. The keys are arranged from low to high, left to ...
The ugal features mainly in gamelan gong kebyar, where it carries the central melody (pokok) of the piece. Sometimes it may give its melodic duty to the jublag, where it then takes over as the leader of a kotekan. There is often only one ugal in the kebyar ensemble, and it is usually deeper toned. It is played by one of the leaders of the ensemble.
Selisir is the most often encountered, being the tuning of the popular Gamelan gong kebyar, and may be considered the "default" pelog scale. Two other modes, baro and lebeng , are known from gambuh and semar pegulingan , but are rarely used and more loosely defined. [ 6 ]
The gangsa is a metallophone idiophone of the Balinese people of Bali, Indonesia. It is a melodic instrument that is part of a Balinese gamelan gong kebyar.Traditionally, a single gamelan craftsman's workshop would construct, upon commission, a unified and uniquely tuned set of bronze instruments, numbering twenty or more, the sum total of which would constitute a gamelan gong kebyar.
In Gamelan gong kebyar, Kotekan is usually played on the higher-pitched gangsa and reyong as embellishment to the main melody played on the calung and ugal. The busy upper registers of the gamelan are the domain of the gangsas and reyong. These instruments spin out kotekan, the crackling ornamental fireworks of Balinese music. Kotekan is ...
Gamelan angklung [1]; Gamelan batel; Gamelan bebonangan; Gamelan beleganjur; Gamelan gambang; Gamelan gambuh; Gamelan gandrung; Gamelan gender wayang; Gamelan gong gede
The reyong (also spelled reong) is a musical instrument used in Balinese gamelan. It consists of a long row of metal gongs suspended on a frame. In gamelan gong kebyar, it is played by four players at once, each with two mallets. Often the individual pots can be removed from the frame and played individually as bonang in beleganjur.
In the Balinese Gamelan gong kebyar, the metallophone jublag can also be known as Calung, it has a one-octave range, and is generally utilized to play mid-range melodies. In Banyumas, southwestern Central Java in Indonesia, when Calung is referred to as an ensemble, it uses multiple bamboo instruments and is composed of singers and dancers. [3]