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In music theory, an interval is a difference in pitch between two sounds. [1] An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord.
Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals. For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory , without consideration of the way in which ...
List of musical intervals may refer to: Interval (music)#Main intervals as abstract relations between notes in western music theory. List of pitch intervals as frequency ratios in intonation and tuning of musical instruments and performances.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, und Tod". Play ⓘ In music, a step, or conjunct motion, [1] is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees. Any larger interval is called a skip (also called a leap), or ...
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.. In classical music from Western culture, a fifth is the interval from the first to the last of the first five consecutive notes in a diatonic scale. [2]
Interval recognition, the ability to name and reproduce musical intervals, is an important part of ear training, music transcription, musical intonation and sight-reading. Reference songs [ edit ]
In the common practice period, musical style required preparation for all dissonances, [citation needed] followed by a resolution to a consonance. There was also a distinction between melodic and harmonic dissonance. Dissonant melodic intervals included the tritone and all augmented and diminished intervals. Dissonant harmonic intervals included: