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Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
Two pins are used for the mono headphone signal and two pins for the unbalanced microphone signal. The 4-pin XLR connector is also commonly used on amateur radio microphones, but transferring unbalanced audio instead, and using the 4th pin (with the common ground) for a push-to-talk (PTT) circuit activated by a button on the microphone.
Currently, for comparison, the Spectrum cable receiver box is $10.99 per month. Yearly cost: Cable box: $132 vs Xumo: $60. Cloud DVR Pricing aside, it’s just a better service, in every way. But ...
XLR3 cable connectors female (left) and male. The XLR connector is a type of electrical connector primarily used in professional audio, video, and stage lighting equipment. XLR connectors are cylindrical, with three to seven connector pins, and are often employed for analog balanced audio interconnections, AES3 digital audio, portable intercom, DMX512 lighting control, and for low-voltage ...
Star-quad cable intended for use with a single two-wire circuit or two two-wire circuits. It is often used with microphone signals in professional audio. Star-quad cable cross-section Star-quad exploded view showing the geometric centers of the dual-conductors used for each leg of the balanced line.
On 25 February 2012 the TEAMS cable was accidentally cut by a dredging ship carrying some works for the Kenya Ports Authority at Mombasa Offshore. [1] The repairs took about 4 weeks, because of multiple cable cuts between North Sudan and Egypt about the same time. [2] More than half of the networks in Kenya and Uganda were affected. [3]
The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. [1]
Early public-address system from around 1920 using a Magnavox speaker. The microphone had a metal reflector that concentrated the sound waves, allowing the speaker to stand back so it would not obscure his or her face. The early vacuum tubes could not produce much gain, and even with six tubes the amplifier had low power.