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Language is a mutualist symbiont and enters into a mutually beneficial relationship with its hominid host. Humans propagate language, whilst language furnishes the conceptual universe that guides and shapes the thinking of the hominid host.
(C) In the tripartite cyanolichen Peltigera aphthosa the Nostoc symbiont is restricted to wart-like cephalodia (shown magnified) on the upper surface of the thallus, while the green algal symbiont forms the photobiont layer. (D) Nephroma arcticum is another example of tripartite cyanolichens. The large cephalodia of this species are internal ...
A subsequent notice linked to an example of micropoetry by another user, which was clearly lyrical but didn't appear to fit any preexistent form such as haiku or tanka. While short poems are most associated with the haiku , the emergence of microblogging sites in the 21st century created a modern venue for epigrammatic verse.
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
In Star Trek, the Trill were a race of humanoids who incorporated a long-living symbiont. One of them was a main character on the series Star Trek: Deep Space Nine . In the series Stargate SG-1 , both the principal villains, the Goa'uld and their benevolent versions, the Tok'ra were symbionts who grafted themselves into the human nervous system.
Mu'allaqat, Arabic poems written by seven poets in Classical Arabic, these poems are very similar to epic poems and specially the poem of Antarah ibn Shaddad; Parsifal by Richard Wagner (opera, composed 1880–1882) Pasyón, Filipino religious epic, of which the 1703 and 1814 versions are popular; Popol Vuh, history of the K'iche' people
Pound was said to have coined the word from Greek roots in a 1918 review of the "Others" poetry anthology [2] — he defined the term as "the dance of the intellect among words." [1] Elsewhere he changes intellect to intelligence.
The list below includes the poems in the US version of the collection, published by Heinemann in 1960. [1] This omits several poems from the first UK edition, published by Faber & Faber in 1967, [2] including five of the seven sections of "Poem for a Birthday", only two of which ("Flute Notes from a Reedy Pond" and "The Stones") are included in the US edition.