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Guernica was painted using a matte house paint specially formulated at Picasso's request to have the least possible gloss. [1] American artist John Ferren assisted him in preparing the monumental canvas, [ 21 ] and photographer Dora Maar , who had been working with Picasso since mid-1936 photographing his studio and teaching him the technique ...
Guernica (/ ɡ ɜːr ˈ n iː k ə, ˈ ɡ ɜːr n ɪ k ə /, [3] Spanish pronunciation: [ɡeɾˈnika]), officially Gernika (pronounced) in Basque, is a town in the province of Biscay, in the Autonomous Community of the Basque Country, Spain.
The town was devastated, though the Biscayan assembly and the Oak of Gernika survived. Picasso painted his mural sized Guernica to commemorate the horrors of the bombing. In its final form, Guernica is an immense black and white, 3.5 metre (11 ft) tall and 7.8 metre (23 ft) wide mural painted in oil. The mural presents a scene of death ...
During the creation of Guernica, Picasso made his first studies of a weeping woman on 24 May 1937, however, it was not to be included in the composition of Guernica.An image of the weeping woman was inserted in the lower right of the painting, but this was removed by Picasso, who considered that it would upstage the agonised expressions of the four women in the painting.
The Rose Period is named after Picasso's heavy use of pink tones in his works from this period, from the French word for pink, which is rose. Picasso's third highest selling painting, Young Girl with a Flower Basket , and his fifth highest, Garçon à la pipe (Boy with a pipe) were both painted during the Rose Period.
The figure in the middle is the Harlequin. He's dressed in a red and yellow diamond pattern and is playing a yellow guitar. The guitar and his body are quite easy to make out. His blue mask is part of a larger shape that covers much of the Pierrot and it's topped off by a black, round hat. The figure on the right is the monk.
Orange or yellow paints are used for harvest boundaries, and trees within those areas have blue, orange, green, or yellow paint, depending on whether they are to be taken or spared.
The images form a sequence like those in a comic book (in particular, the Spanish auca) and have a loose narrative: [1] [2] Franco's form changes from panel to panel. The Spanish dictator's appearance has been likened by various writers to a "jackbooted phallus", [7] "an evil-omened polyp" [6] and "a grotesque homunculus with a head like a gesticulating and tuberous sweet potato".