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Quizlet's primary products include digital flash cards, matching games, practice electronic assessments, and live quizzes. In 2017, 1 in 2 high school students used Quizlet. [ 4 ] As of December 2021, Quizlet has over 500 million user-generated flashcard sets and more than 60 million active users.
In October 1981, director Jonathan Demme presented the Made in Texas - New Films From Austin series at the Collective for Living Cinema in New York City. [1] He, along with Austin Film Society co-founder, South by South West co-founder, and Austin Chronicle co-founder Louis Black, assembled six 16mm and 8mm short films made in and around Austin, Texas, in 1980 to present as a representation of ...
Paris, Texas (film) Pathogen (film) A Perfect World; Places in the Heart; Playing House (2011 film) Point Blank (1998 film) The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom; Predators (film) Primer (film) Prince Avalanche; Problem Child (film) Pure Country
In contrast to the beginning of the 1950s, when only 5 films were made per year, 111 films were produced in South Korea in 1959. [121] The 1950s was also a 'Golden Age' for Philippine cinema, with the emergence of more artistic and mature films, and significant improvement in cinematic techniques among filmmakers. The studio system produced ...
Pages in category "Animated films set in Texas" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. B.
Pages in category "Films shot in Corpus Christi, Texas" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. K.
An Iblis Films, Dedalus Films, and Fons Rademakers Co-Production: Cannon Group Inc. [199] May 13, 1987: Master of Dragonard Hill: A Breton Film Productions Ltd. Production: Cannon International [200] May 15, 1987: The Emperor's New Clothes: A Golan-Globus Production: Cannon Group Inc. [201] June 1987: Too Much: A Golan-Globus Production: Cannon ...
The proliferation of television in the early 1950s contributed to a heavy mid-century push for color within the film industry. In 1947, only 12 percent of American films were made in color. By 1954, that number had risen to over 50 percent. [78] The color boom was aided by the breakup of Technicolor's near-monopoly on the medium.