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Carved and inlaid Late Baroque supraporte in Toruń, Poland. An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, [1] or was originally intended for this purpose.
The west elevation has irregularly spaced openings, reflecting the plan functions within. It, too, has a large fireplace stack extending above the parapet. It features a cast iron and glass enclosed entrance porch. [2] Much of the cornice and all four front columns collapsed in the San Francisco earthquake of 1906, but were replaced soon ...
Passing through the front entrance is a large lobby flanked by two main halls. The lobby has marble flooring and an imposing oak fireplace which is one of the buildings original features, having been designed by Adam. Adjacent to the fireplace are three doors with the leftmost allowing access to a kitchen area and a stairwell.
The billiard room was access by a door in the west wall, and in the north-northwest corner was a door leading to a cloakroom. [65] To the right of the cloakroom door is a fireplace framed by exquisite moldings and a mantelpiece in the 15th-century Italian style. [16] [65] In the south wall, a door gave entry to the reception hall. Two marble ...
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Art Deco mascaron above the door of Rue Mademoiselle no. 40, Paris, c.1930. In architecture and the decorative arts, a mascaron ornament is a face, usually human, sometimes frightening or chimeric, whose alleged function was originally to frighten away evil spirits so that they would not enter the building. [1]
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Later, he and his daughter May made designs for panels for "embroider yourself" kits for cushion covers, fireplace screens, doorway curtains, bedcovers and other household objects. In 1885, Morris turned production of embroidery entirely over to his daughter. [3]
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