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Carved and inlaid Late Baroque supraporte in Toruń, Poland. An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, [1] or was originally intended for this purpose.
The room retains the huge fireplace surrounded by many of the original hand-planed, feather-edged, vertical pine boards, along with batten doors with wooden latches and strap hinges. The ceiling is exposed oak beam and both the floor and ceiling above are wideboard. [2] [4] [page needed]
Jean-Édouard Vuillard (French: [ʒɑ̃ edwaʁ vɥijaʁ]; 11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker.From 1891 through 1900, Vuillard was a member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color.
The front door has a stained glass fanlight above with stained glass side panel windows. A plaster pilaster surrounds the door frame and the double hung sash windows located on each side of the door. [1] The interior has ornate moulded timber finishings and pressed metal ceilings with cornices and frieze. The ceiling uses an Art Nouveau design.
The side wall contains a deep fireplace. The adjacent servant space is a thin communication strip that contains the front and back doors plus the two balconies above them, all of which are set in alcoves. This strip also contains the house's stairway and a gallery at the top of the stairs that overlooks the living room. [9]
It was designed with projecting rooflines resembling breaking waves, cantilevered over the circular balconies. The interior focused on a central conversation pit and fireplace overlooking the ocean. [5] Wave House was later owned in the 1970s by Rod Stewart, who commissioned Gesner to design railings for the initially rail-less balconies. [6]
The vestibule, inside the front door, has preserved many original decorative elements, including a colorful mosaic floor, a glass and wrought iron grill with a floral design behind the front door; and carved wood panelling and stained glass framing the entrance to the main corridor, which originally also had a floral design tapestry curtain.
It began as the interior component of the artist's Large Upright Internal/External Form (LH 297a), but Moore much later decided the piece worked well by itself. [2] The artist's copy was lent in 2011 by the Henry Moore Foundation to the Snape Maltings , in Suffolk . [ 3 ]
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