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This template is intended to provide a consistent and easy display for tone rows, in all forms: prime, retrograde, inverse, retrograde inversion, and inverse retrograde; and in all transpositions. Tone rows must be twelve tones long when using I, RI, and IR.
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
A 12-tone row has hexachordal combinatoriality with another 12-tone row if their respective first (as well as second, because a 12-tone row itself forms an aggregate by definition) hexachords form an aggregate. There are four main types of combinatoriality. A hexachord may be: Prime combinatorial (transposition) Retrograde combinatorial
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For example, does every composer who wrote one twelve-tone or serial piece deserve inclusion? Hyacinth ( talk ) 05:52, 16 November 2012 (UTC) [ reply ] Perhaps more difficult to establish, but for possible exclusion criteria: does every piece containing a twelve-tone row count as a twelve-tone piece, or does twelve-tone technique imply ...
D harmonic minor & in the inverted row-form added-sixth chord with both major and minor third : I: 0 t 9 7 5 4 1 8 6 2 4 e: P: 0 2 3 6 8 t 5 7 9 e 1 4: 2 1 3 2 2 5 2 2 2 2 3: Ernst Krenek: Lamentatio Jeremiae Prophetae, Op. 93, row 2 [18] 1940–41 6-34: 6-34: RI-symmetry I: 0 t 9 6 4 2 7 5 3 1 e 8: P: 0 2 4 5 8 t 6 7 9 e 1 3
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