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Phonograph cylinders (also referred to as Edison cylinders after its creator Thomas Edison) are the earliest commercial medium for recording and reproducing sound.Commonly known simply as "records" in their heyday (c. 1896–1916), a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can ...
For Edison Records recordings that were published before 1924 and that do not incorporate preexisting copyrighted material, the template {{PD-US-record-expired}} may be applicable. Note: The restored MP3 versions of the recordings from the University of California Santa Barbara Library are available only under an unacceptable non-commercial ...
The Archive consists of a broad range of cylinder records manufactured between 1893 and the mid-1920s. The majority were produced by Edison Records in Orange, New Jersey, but the Archive also contains cylinders produced by the Columbia Phonograph Co., Indestructible Records and other companies.
Some 2,400 Edison disc sound recordings, from Thomas Edison’s personal collection, have been digitized and made available online for free streaming.
A Dictaphone cylinder for voice recording Analog, the Ediphone and subsequent wax cylinders used in Edison's other product lines continued to be sold up until 1929 when the Edison Manufacturing Company folded. 1894 Pathé cylinder The vertical-groove pathé cylinder Mechanical analog; vertical grooves, vertical stylus motion 1897
Nevertheless, the Blue Amberol format was the longest-lived cylinder record series employed by the Edison Company. [1] These were designed to be played on an Amberola, a type of Edison machine specially designed for celluloid records that did not play older wax cylinders. Blue Amberols are more commonly seen today than earlier Edison 2-minute ...
Blue Amberol Records was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929. They replaced the 4-minute black wax Amberol cylinders introduced in 1908, which had replaced the 2-minute wax cylinders that had been the standard format since the late 1880s.
In 1889, Edison sent Wangemann to keep the phonograph at the 1889 Paris Expo in good working condition. The trip was extended and Wangemann made numerous early sound recordings on wax cylinders, some of which were lost for more than 100 years. Found in 1957, but not revealed until 2012, they include the only known recording of Otto von Bismarck.
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