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The system was established in 1988 [3] by American singing voice specialist Jo Estill, [4] who had been researching in this field since 1979. [5] [6] Estill's research led to a series of vocal manoeuvres to develop specific control over individual muscle groups within the vocal mechanism.
Vocal registration refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, and possessing the same quality. Registers originate in laryngeal function. They occur because the vocal folds are capable of producing ...
A technique known as stem mixing and mastering relies on the use of busses to mix tracks down to stems for processing before mixing down to the stereo bus (also called "master channel" or "2-bus"). This usually reduces the amount of processing applied to the stereo bus and increases the control the engineer has over the dynamics and levels of ...
Compression has many uses in the mixing process, from evening out vocal volume to enhancing drums. [ 12 ] : 175 Limiters – Using a compression ratio of 10:1 or higher is known as limiting- instead of applying gentle reduction to audio above the threshold, limiters forcibly flatten it down, allowing no signal above the threshold.
The master control section is used to adjust the levels of the overall output of the mixer. The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader.
Digital systems have higher performance and allow mixing to be performed at lower maximum levels. When mixing to 24-bits with peaks between −3 and −10 dBFS on a mix, the mastering engineer has enough headroom to process and produce a final master. [6] Mastering engineers recommend leaving enough headroom on the mix to avoid distortion. [7]
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
Dialogue, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialogue can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and surround systems, and the music can be changed to fit the desired emotional response.
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