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The poem "Armistice" consists of one single sentence, without punctuation, organized in couplets all of which rhyme on the sound of the letter "d". Newey called this a "virtuosic piece" that "disdains simplistic notions about peace and war and has the humility to acknowledge the limits of art".
David Rytman Slavitt (born March 23, 1935) is an American writer, poet, and translator, the author of more than 100 books. Slavitt has written a number of novels and numerous translations from Greek, Latin, and other languages. Slavitt wrote a number of popular novels under the pseudonym Henry Sutton, starting in the late 1960s.
"our Author wrote a Poem called a Song to David, and a new Version of the Psalms: he also translated the Works of Horace, and the Fables of Phaedrus into English Metre; and versified our Saviour's Parables. These, with two small pamphlets of Poems, were written after his confinement, and bear for the most part melancholy proofs of the recent ...
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial, and one near the end of a line is terminal. Initial and terminal caesurae are rare in formal, Romance, and Neoclassical verse, which prefer medial caesurae.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The word epilogue could be adopted to describe the end of speeches within medieval plays, but at the time this was primarily used to hint at the connection to later works. Most Greek plays would end with lines from the Chorus, which was different to the epilogues of early modern playwrights as well as Ancient Roman plays.
Poetic closure is the sense of conclusion given at the end of a poem. Barbara Herrnstein Smith's detailed study—Poetic Closure: A Study of How Poems End—explores various techniques for achieving closure. One of the most common techniques is setting up a regular pattern and then breaking it to mark the end of a poem.