Search results
Results from the WOW.Com Content Network
The Foundation for the Preservation and Publication of Sacred Defense Works and Values (Persian: بنیاد حفظ آثار و نشر ارزشهای دفاع مقدس) is one of the institutions of the Islamic Republic of Iran with the aim of preserving the relics and disseminating the values of the Sacred Defense (Iran-Iraq war known by Iranians as the "Sacred Defence" or "Holy Defense ...
The Sacred Defence Week (Persian: هفته دفاع مقدس Hafte Defâ Moqaddas, also translated Holy Defence Week) is an Iranian annual commemoration of the 1980–1988 Iran–Iraq War (often called "the Sacred Defence" in Iran). It is marked by military parades. [1] [2] It is set by the Iranian calendar and begins on Shahrivar 31. [3]
Government sponsored artwork on a dustbin displayed in front of the Holy Defense Museum. The National Museum of the Islamic Revolution and Holy Defense (Persian: موزه ملی انقلاب اسلامی و دفاع مقدس, Muze-ye Melli-e enghelab-e eslami ve defa'-e moghadas), located in Tehran on a landscaped site of 21 hectares, is one of the largest museums of Iran.
She was the second child of six, and stopped going to school after she finished fifth grade. When the war broke out Hosseini aided the war effort in various roles such as cemetery work. She also engaged in firefights and received a dangerous shrapnel wound near her spine. The injury forced her to leave the battlefield and spend a month in ...
The August 24, 1974 military raid on the Sacred Heart Novitiate in the Novaliches district of Quezon City in the Philippines [1] [2] is considered an important turning point in the Philippine Catholic Church's resistance to the Marcos dictatorship. [3]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Ravayat-e Fath [1] (Persian: روایت فتح), variously translated as The Chronicles of Victory, The Tales of Victory, The Narrative of Victory, The Narration of Victory, The Story of Victory, and Witness to Glory, was an Iranian war documentary television series directed by Morteza Avini and filmed on the front lines of the Iran–Iraq War of the 1980s. [2]
Author J. J. Scarisbrick describes the work as "one of the most successful pieces of Catholic polemics produced by the first generation of anti-Protestant writers". [5] It went through some twenty editions in the sixteenth century and, as early as 1522, had appeared in two different German translations.