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Code of the Quipu is a book on the Inca system of recording numbers and other information by means of a quipu, a system of knotted strings.It was written by mathematician Marcia Ascher and anthropologist Robert Ascher, and published as Code of the Quipu: A Study in Media, Mathematics, and Culture by the University of Michigan Press in 1981.
With her husband, Ascher co-authored the book Code of the Quipu: A Study in Media, Mathematics, and Culture (University of Michigan Press, 1981); it was republished in 1997 by Dover Books as Mathematics of the Incas: Code of the Quipu. [6]
Representation of a quipu, an Inca accounting and mnemonic instrument.. The prevailing numeral system was the base-ten. [2] One of the main references confirming this are the chronicles that present a hierarchy of organized authorities, using the decimal numeral system with its arithmometer: Quipu.
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The word Quipu is derived from a Quechua word meaning 'knot' or 'to knot'. [16] The terms quipu and khipu are simply spelling variations on the same word.Quipu is the traditional spelling based on the Spanish orthography, while khipu reflects the recent Quechuan and Aymaran spelling shift.
Urton is a specialist in Andean archaeology, particularly the quipu (khipu) rope-based recording system used in the Inca empire in the 15th and 16th centuries. He is one of the most prominent advocates of the theory that the quipus encode linguistic as well as numerical information. [5]
Eielson's poem Misterio on a house wall in Leiden, The Netherlands. Jorge Eduardo Eielson (April 13, 1924 – March 8, 2006) was a Peruvian artist and writer. As an artist, he is known for his quipus, a reinterpretation of an ancient Andean device, they are considered precursors of conceptual art.
Ethnocomputing is the study of the interactions between computing and culture. It is carried out through theoretical analysis, empirical investigation, and design implementation.