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On the Threshold of a Dream is the fourth album by the Moody Blues, released in April 1969 on the Deram label. The album reached the top of the album charts, the group's first No. 1 album in the UK. [1] According to guitarist Justin Hayward, "I think Threshold is the defining album for the Moody Blues. And it's the one in the '60's that you ...
Lovely to See You: Live is a two-disc live album by The Moody Blues. Released on 15 November 2005, Lovely to See You: Live was recorded at a performance at the Greek Theater in Los Angeles, California. The album is named after The Moody Blues song "Lovely to See You", from their 1969 album On the Threshold of a Dream.
It opened with Hayward, Edge and Pinder sharing narration on Edge's "In the Beginning", leading into Hayward's "Lovely to See You". His "Never Comes the Day" was issued as a UK single, while Thomas contributed wry observations of life in "Dear Diary" and "Lazy Day". Pinder contributed the closing track on side one, "So Deep Within You".
"Question" is a 1970 single by the English progressive rock band the Moody Blues. It was written by guitarist Justin Hayward, who provides lead vocals."Question" was first released as a single in April 1970 and remains their second highest-charting song in the UK, reaching number two and staying on the chart for 12 weeks.
A Night at Red Rocks with the Colorado Symphony Orchestra is a live album by The Moody Blues, recorded from a live performance at the Red Rocks Amphitheatre on 9 September 1992. [2] This performance was the first time The Moody Blues performed in concert backed by a full orchestra .
Keys of the Kingdom is the fourteenth album by the rock band the Moody Blues, released in 1991.Although some of the tracks recall the songwriting on Sur la Mer, the failure of Keys of the Kingdom to produce any major hit singles would mark the beginning of the Moodies' decline in popularity with mainstream audiences after their success in the MTV video generation.
Cash Box said that this "Stunning teen-aimed ballad picks up rhythmic punch in a development that winds up a throbbing with top forty appeal." [6]Classic Rock History critic Brian Kachejian rated it as the Moody Blues' greatest song, saying that "Justin Hayward’s beautiful lyrics and melody combined with John Lodges’ guitar work and Mike Pinder’s Mellotron presented Moody Blues fans with ...
All of those people who had been saying to us for the past 3 or 4 years, "You'll probably just do another Nights in White Satin with it" — no! We had shivers up the spine, and that kind of stuff. But when it came out and you heard it on the radio, you kept saying, "Turn it up! Turn it up!! Oh no, it's not going to make it." So it didn’t ...