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Two guayaberas seen from the back, showing the alforza pleats and the Western-style yoke. The guayabera (/ ɡ w aɪ. ə ˈ b ɛr ə /), also known as camisa de Yucatán (Yucatán shirt) in Mexico, is a men's summer shirt, worn outside the trousers, distinguished by two columns of closely sewn pleats running the length of the front and back of the shirt.
When colors are displayed in the CIE 1931 XYZ color space, additive mixture results in color along the line between the colors being mixed. By mixing any three colors, one can therefore create any color contained in the triangle they describe – this is called the gamut formed by those three colors, which are called primary colors. Any colors ...
The first color photograph made by the three-color method suggested by James Clerk Maxwell in 1855, taken in 1861 by Thomas Sutton. The subject is a colored ribbon, usually described as a tartan ribbon. Color photography (also spelled as colour photography in Commonwealth English) is photography that uses media capable of capturing and ...
The Colors of StoBoSa, officially designated as the StoBoSa Hillside Homes Artwork, is a community artwork designed by the Tam-awan Village group, and is a locally recognized tourist attraction in the town of La Trinidad, Benguet. The paintwork of multiple houses composes the single artwork.
Continuing a trend begun by designers in 1978, [26] [27] [28] the early 1980s also saw a return to pre-sixties ideas of formality, [29] [30] [31] with coordinated suits, [32] occasion dressing like forties-fifties-revival cocktail dresses and evening dresses, [33] and even a revival of hats and gloves, [34] [35] [36] though neither was required ...
Late 19th century barong tagalog made from piña with both pechera ("shirt front") and sabog ("scattered") embroidery, from the Honolulu Museum of Art. The barong tagalog, more commonly known simply as barong (and occasionally baro), is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines.
The "La Malinche" huipil Huipil, 1875–1890, Warp-faced plain weave cotton, Patzun, Guatemala (probably) V&A Museum no.T.23-1931After the Spanish conquest of the Aztec Empire and subsequent Spanish expansion, the huipil endured but it evolved, incorporating elements from other regions and Europe. [3]
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...