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Vaughn Bodē (/ b oʊ ˈ d iː /; [a] July 22, 1941 – July 18, 1975) was an American underground cartoonist and illustrator known for his character Cheech Wizard and his artwork depicting voluptuous women.
René Bull was a British illustrator and photographer. He was born in Dublin on 11 December 1872 to a French mother and an English father. He went to Paris to study engineering, but embarked on an artistic career after meeting and taking drawing lessons from the French satirist and political cartoonist Caran d'Ache (Emmanuel Poiré). [ 1 ]
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
[12] [15] Black and White has both order and chaos, expressed through the story, illustrations, and design of the book. [12] The chaos of the story increases, reaching its climax when the only colors used are black on white on a page, before order is restored at the end of the stories and at the end of the book. [16]
Over the next several years, she continued to create illustrations for magazines, including a series of Mother Goose illustrations printed in Good Housekeeping, which were black and white until mid-1914 when they were printed in color. Her illustrations were reproduced in the book The Jessie Willcox Smith Mother Goose by Dodd, Mead, and Company ...
He became known particularly for his drawings of women, which won him acclaim as the successor of Charles Dana Gibson. [ 2 ] [ 3 ] Together with fellow artists Howard Chandler Christy and Neysa McMein , he constituted the Motion Picture Classic magazine's, "Fame and Fortune" contest jury of 1921/1922, who discovered the It-girl , Clara Bow . [ 4 ]
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Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.